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Goodyear’s “Nutcracker” was a rich contribution to that legacy. But there’s a long, still-misunderstood heritage of piano arrangements of orchestral and operatic works, pioneered by Liszt and championed a century later by Vladimir Horowitz. This project risked seeming like a novelty. Goodyear plays these seminal scores with pristine technique, abundant vitality, fascinating attention to detail and a composer’s grasp of overall structure. The sonata set, in particular, is an outstanding achievement. Goodyear has recorded the “Diabelli” Variations the five piano concertos, with the BBC National Orchestra of Wales and the 32 solo sonatas, released as a 10-disc set in 2012.
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“This was the world I wanted to be a part of.”īeethoven wound up occupying a central place in his diverse career. “Somehow I sensed that there was never a limit to the emotions expressed in this music,” Goodyear, 43, said in a recent interview. But it was two boxes containing the complete symphonies of Beethoven and Tchaikovsky that made him want to become a musician. Even when he was just 3 or 4, Goodyear was enthralled by Led Zeppelin, the Beatles, Ravi Shankar, Joe Cocker and Carlos Santana. The Canadian pianist Stewart Goodyear never knew his father, who died of cancer a month before he was born.īut Stewart Sr., an aspiring writer, left his only child a rich musical legacy in the form of a large, eclectic collection of LP recordings.